Bosco Sodi b. 1970

Sodi mixes raw pigment with sawdust, wood, pulp, natural fibers, and glue to create the dense surfaces of his monochrome paintings. As the layers of material dry, structures form without the guidance or intervention of the artist. These fissured "landscapes" are both products of the artist's creative process and the unpredictable and chance in nature.

While Sodi creates his paintings in his studio in New York, his sculptural practice takes a wider turn toward the traditions of his Mexican heritage. At his studio in Oaxaca, he extracts raw earth from the ground and combines it with water and sand to form clay. He uses this elemental material, one of ancestral significance, to create minimalist sculptures. He shapes the clay with his hands to form smooth, solid cubes, which are left to dry in the sun prior to their firing in a kiln, hand-built from brick and coconut husks. During this process, the material transforms in hue and texture, infusing each cube with its own unique identity. Stacked into columns, the cubes both relate to one another and assert their individuality. More recently, Sodi began creating spheres by a similar process: the artist begins again by using his hands to shape wet balls of clay before leaving them to dry for four months in the shade and three months in the sun, later firing the works in a traditional kiln for sixteen to twenty-four hours.

Sodi collects solidified volcanic magma from the Ceboruco volcano in Mexico to make his rock sculptures. He covers these fragments of the natural world with ceramic glaze and precious metals. As they are fired, the volcanic rocks metamorphose into sculptural objects that unite geological processes with traditional and contemporary art-making techniques.

Sodi’s aesthetic philosophy extends beyond his painting and sculpture practice: in 2013, he founded Fundación Casa Wabi near Puerto Escondido, Oaxaca, Mexico, an arts center dedicated to promoting cultural exchange between international contemporary artists and local communities. In 2022, the artist founded Assembly, a nonprofit exhibition venue in Monticello, New York. 

Sodi has exhibited his work internationally and throughout the United States. Selected solo exhibitions include Fundación Cajas Canarias, Spain (2025), Museo de Arte de Sonora, Mexico (2025), He Art Museum, China (2024), Museu Casa das Rosas, São Paulo (2024), Harvard Art Museums, Cambridge, Massachusetts (2023), Fundación Casa de México en España, Madrid (2023), Palazzo Vendramin Grimani, Venice, Italy (2022), University of South Florida Contemporary Art Museum, Tampa, Florida (2022), 23rd Triennale Milano, Milan, Italy (2022), Dallas Museum of Art, Dallas, Texas (2021), Centro de Arte Contemporáneo de Málaga, Spain (2020), Museo Nacional de Arte, Mexico City (2017), and The Bronx Museum, New York (2010). His work is held in major institutional collections worldwide, including the Dallas Museum of Art, Dallas; Harvard Art Museums, Cambridge; JUMEX Collection, Mexico City; Nagoya City Art Museum, Nagoya; Nasher Sculpture Center, Dallas; National Gallery of Victoria, Melbourne; The Phillips Collection, Washington, DC; Wadsworth Atheneum Museum of Art, Hartford; and the Walker Art Center, Minneapolis, among many others.