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Biography
"Though Al-Hadid is known for making work that is engaged with architecture-imagining the body as a kind of scaffold or superstructure, using materials commonly found on building sites-it is anti-architectural in one crucial way: it is a product of intuition, of responsiveness in the moment, of seeing what's there and what needs to come next, of having a vision and allowing it to develop according to its own logic." -Aruna D'Souza
Diana Al-Hadid examines the historical frameworks and perspectives that continue to shape discourse on culture and materials today. With a practice spanning sculpture, wall reliefs, and works on paper, the artist weaves together enigmatic narratives that draw inspiration from both ancient and modern civilizations. Al-Hadid's rich allegorical constructions are born from art historical religious imagery, ancient manuscripts, female archetypes, and folkloric storytelling frameworks.
Framed by a host of references from antiquity, cosmology, cartography, and architecture, Al-Hadid's work gives form to ghostly images abstractly rendered in materials as various as steel, polymer gypsum, fiberglass, wood, foam, plaster, aluminum foil, and pigment. The artist's process-based explorations innovate from commonplace industrial materials. Their formidable presence sits steady in the lineage of creation and construction that we associate with empire, complicated by an often-elegiac tone.
Al-Hadid's large-scale sculptures layer these figurative, landscape, and architectural elements to decontextualize the historical circumstances they reference. In 2018, the artist presented Delirious Matter in Madison Square Park, New York, featuring six female figures-The Grotto and Gradiva; Citadel; and three called Synonym. Balanced between ruin and regeneration, these elusive figures communed to form a kinship of women throughout the history of art.
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Diana Al-Hadid, Mother Splits the Moon, 2023
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Installation Shots
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Works


