Overview
"One of the things that I find so compelling about your paintings is they have such serenity about them, but there’s always a degree of drama as well." —Eleanor Nairne, 2025
Across Emil Sands’ paintings, the figure is never incidental. Bodies are carefully positioned – offset, clustered, or held apart; freighted with Sands’ acute awareness of the implications of gesture, posture, sightline. These compositional decisions generate subtle but persistent tensions: between individuals within a group, interior states and outward appearance, and the act of looking and being looked at. As if planning a stage set, Sands assumes the attention and speculation of an outsider.
Biography

Working in oil, Sands approaches painting with an instinctual drive. His rendering of light and reflection is defined by subtle chromatic shifts which he works and reworks repeatedly to create a sense of openness and physical breadth. Whereas recent works have focused on beach scenes or seascapes, where bodily freedoms are performed in a public arena, new paintings retreat into private realms. These formal settings, manicured spaces including gardens populated by classical statuary, bring a heightened psychological aspect. His environments often read as borderlands in which masculinity, vulnerability, humor, and unease coexist and circulate. The mood in many of Sands’ paintings is unsteady, like weather moving across terrain.

 

Emil Sands (born 1998 in London, currently living in New York) completed his Fine Art Foundation at Central Saint Martins, his BA and MPhil in Classics at the University of Cambridge, followed by the Henry Fellowship at Yale School of Art and Yale Creative Writing.

Solo exhibitions include Kasmin Gallery, New York; JO-HS, Mexico City; and Tibor de Nagy Gallery, New York. Most recently his work has featured in the group exhibition The Stories We Tell: Tidawhitney Lek, Emil Sands, Khalif Tahir Thompson, held at Victoria Miro, London, November 2025 to January 2026.


Sands’ essay Struck on one Side, was published in the March 2023 edition of The Atlantic. He will publish his memoir I Am Not Achilles with Scribner (US) and Picador (UK) in 2027.

 

Works
  • At pier's end
    At pier's end
  • The Edge of Lake Peter
    The Edge of Lake Peter
  • Ramblers
    Ramblers
  • Still water
    Still water
  • The invitation
    The invitation
  • The last holiday
    The last holiday
  • Untitled
    Untitled
  • 4
    4
  • Lake at dusk
    Lake at dusk
Installation shots
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